Marker Pens and Their Application to the Surfboard:
A Test of Chemistries and Application Modalities
By Thomas Gertsch
conducted at Cerritos College Fiberglass Technology
Program
12-1-06
Abstract
This test was created and conducted to demonstrate the different
chemistries of markers (and paint pens) and their common applications
related to
the surfboard artist. Also, a goal of developing or validating
a “best
practices” workflow for the application of artwork to surfboards.
Materials
Permanent ink pens
Poster paint pens, water based
Poster paint pens, oil based
Tech ink pens
Expanded polystyrene (EPS) #2 (lb)
Epoxy Resin (Resin Research)
Introduction
Some surfboard artists prefer the use of the paint pen markers
because of their ability to create very detailed, harsh lines (as opposed
to the airbrush and its gradient lay of paint) and the overall
ease of application. This is in contrast to the softened, gradient
like line created by the airbrush. In the application of airbrushing
the additional care that must be taken to prevent overspray
by the airbrush and masking issues may be time prohibitive. Furthermore,
by applying paint pen markers after the glass stage, the possibility
of
glassing
(including
sanding
or polishing)
errors affecting the artwork is eliminated.
Procedure
There are different types of inks and paint markers on the art market
with each brand having a variety of inks, paints, and pigment and
their associated
recipes.
This test looked at mostly Sharpie® Brand markers due to their accessibility
in the US. There are additional international companies including the coveted
Posca® by Uniball® but their availability is limited in the US. Additionally,
COPIC®, a tech pen brand from Japan was used to expand this investigation.
The test composed of two basic usages. Pens (fig. 1) applied directly
to EPS foam (2 lb foam) then covered with epoxy resin and 6oz fiberglass
and
Pens (fig 2) applied on top of epoxy resin
and
protected with aa acrylic clear coat spray(Krylon® brand).
Overall, each situation yielded consistent results that have been recommended
by surfboard
artists.
That is, water based paint pens are the best at color and bleed stability.
In each
of these situations 6 oz E glass was used to mimic actual board construction
materials.
Figure 2. Test sheet 2. Markers on resin. Clear coat over ink.
In setting up the test material for lamination, it should be noted that
a shrink film (3M® window shrink film a.k.a thermoplastic) was used
to create a glossy finish from only the application of a laminate coat
of resin.
This application
follows similar release film contact, albeit a heat gun was used to shrink
the
film and remove the wrinkles. Air bubbles were worked to the sides of
the foam. (No hot coat or gloss coat was applied.) The window shrink
film left an adequately smooth and
glossy finish without the need for polishing making it ready to accept
the markers/pens.
Figure 1. demonstrates drawing directly onto the foam withthe resin on
top of the art. The advantages include protection from sand and other
abrasions, and all
artwork can
be accomplished
in
one
stage. The disadvantages
to applying directly onto the foam includes a reduction of color saturation
and vibrancy and the creation of colorized foam dust that negatively
affects the
glassing stage.
Drawing on top of the resin allows for the composite technician to focus
on apply the resin and less on damage to the artwork. Furthermore, the
smooth
surface
helps draw the paint out of the marker and reduce colored foam or marker
lint from contaminating the work.
Results, interpretations of
While all markers met the task of appearing on the material, the markers
that performed with the least bleed and best color saturation consisted
of the Water
Based Paint Pens (Only Sharpie® brand available in this investigation.
Additionally, all inks and paints showed increased color vibrancy above
the resin.)
Further investigations
This testing raises some additional questions in relation to this subject.
Additional testing of the following situations would provide deeper insight
into this application
of paint pens.
These additional topics include:
o UV stability of pigments and assistance of being an underlayment in
sandwich composite construction
o Oven baking Epoxy and the heat effect on paint
o Light pen colors (white, yellow, pink, pastels, etc.) on dark composite
in appearance, visability and functionality